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Jules and Jim
1962
Stolen Kisses
1968
Bed and Board
1970
Shoot the Piano Player
1960
The Last Metro
1980
The 400 Blows
1959
Love on the Run
1979
Antoine and Colette
1962
The Man Who Loved Women
1977
Small Change
1976
The Wild Child
1970
Pierrot le Fou
1965
Jules and Jim(Movie)Stolen Kisses(Movie)Bed and Board(Movie)Shoot the Piano Player(Movie)The Last Metro(Movie)The 400 Blows(Movie)Love on the Run(Movie)Antoine and Colette(Movie)The Man Who Loved Women(Movie)Small Change(Movie)The Wild Child(Movie)Pierrot le Fou(Movie)
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truffaut has something to his films that many of his peers during the french new wave don't. a sense of subtle but funny humor. this is something that pervades his films but really comes through here. day for night, at its core, is about the process of making a film. about what happens between takes, what goes on during takes, all the problems that one could run across while making a film. truffaut finds the humor and all of it and brings it out with a deft touch. day for night differentiates itself from most other films from its era with this humor. however, for me, his best work comes when... read
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In the La Victorine studios near Nice, a film crew shooting a drama goes through a wide sample of the accidents that affect any production. Director Truffaut also plays the on-screen director in the ultimate love letter to filmmaking: never before or since has the experience of working on a movie set been captured so precisely or with more passion. A moving, exhilarating watch for any cinephile, "Day for Night" is the quintessential distillate of Truffaut's favorite themes. read
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Day for Night: Are Movies Magic?
By David Cairns
ESSAYS
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AUG 17, 2015
https://www.criterion.com/current/posts/3659-day-for-night-are-movies-magic
By 1973, François Truffaut was no longer the iconoclastic critic turned director of 1959s The 400 Blows, the man whod caused a sensation at Cannes and overturned the old order. For better or worse, as he began his thirteenth feature as director, he was the new mainstream, a paid-up member of the moviemaking establishment. His films had movie stars and were often genre yarns, or else quasi sequels to his first hit.
After the unquestioned... read
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