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so much of 3.0's construct is a repetition of the past. it is reminiscent of end of evangelion in its pessimism but there is little left of this world to ruin, scarcely anything familiar or novel; instead, the world is left a gaping scar from shinji's failure. in the fourteen years of his absence, the world he knew has become utterly foreign and cold. no one forgives him. no one seems to want him alive and will hardly acknowledge him. naturally, he seeks reprieve and returns to all he knows, even if it entails suffering the pain he wants to escape. so that's all this is: shinji still hasn't grown, the world has evolved beyond him, and any meaning he can scavenge in the vestiges of an old world where love was in attainable proves nothing more than artifice and deception.
yet despite the increasingly impressive production values and visual design of the rebuild films, and the cognitive undertones, the screenplay feels as crude as it is cold. following shinji in his regression limits how much of this new world we are allowed to partake in and judge, and when the flood gates finally open the film ends. 3.0 stands as a microcosm of evangelion rather than the progression i think it had the capacity to be. otherwise, there isn't much said here that hasn't been expressed in some form or function before in the franchise, or even this particular rebuild series. given how ultimately redundant the climax is reinforces this observation (and i do say observation because it may well be intentional). regardless 3.0 continues to refuse the unfamiliar, dipping in its toes but ending before jumping in. a prelude of promises and little more. no harm no foul, i suppose.
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